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Baseball Punx documentary streaming now


It’s America’s favorite pastime, Babe Ruth, Lou Gehrig, Ted Williams and Sandy Koufax. These are some of the more notable names who have shaped America’s game. Baseball is as American as apple pie. Punk rock on the other hand is like pop music’s bastard brother. Joey Ramone, Joe Strummer, Greg Graffin, and Henry Rollins are some of the names that helped shape punk rock. So is it possible that a parallel might be drawn between the high-priced spectacle that is the world of professional sports and the down and out DIY of the punk rock world?

Baseball Punx is out to draw that parallel, while sports doesn’t always find itself embraced in the alternative world of punk music. The comparison’s however that could be drawn between the two are undeniable. Admittedly, million dollar contracts, chartered jets, and luxury motels might be a far cry from tour vans, greasy bars and strangers couches. However underneath all that baseball is among the more progressive pro sports leagues. Embracing LBGTQ players and fans alike baseball has done an admirable job of trying to end the homophobic, macho, misogynistic attitudes that are unfortunately still present in many locker rooms around the world. At the same time baseball doesn’t try to silence the players and fans from voicing their displeasure with the state of politics or the injustices of modern-day America.

Likewise it could be said that it wasn’t long ago the punk rock scene was just as full of homophobic, macho, misogynistic attitudes that make the sports world an uncomfortable place for those with alternative lifestyles. However over the years the punk scene has grown up and become a much more all-inclusive space, while also still being the conscience of America as well as the voice for the voiceless.

The ups and downs of America can be tied to both baseball and punk rock. You may have noticed that punk rock is suddenly making an impact in the music world for the first time since that Bush fella was president, and that’s no coincidence. While the NFL faces criticism for players kneeling for the anthem and the NFL turning it’s back on those players MLB has shown support for players who wish to make a “statement”, and while there is still backlash MLB isn’t blaming those players for decreased ratings.

Having more than ninety years on punk rock baseball has clearly had more time to change with the times. While both have grown and become more inclusive there’s still lot’s of work that needs to be done. But as a person who grew up in the homophobic, macho, misogynistic world of highly competitive sports, my escape from that world was punk rock and I never looked back, but now that I have I’m happy to see that the world of sports is starting to come into the 21st century. Just as I’m happy to go to a punk rock show and see people of all shapes, colours and lifestyles.

Baseball Punx does a great job of drawing the many comparisons I’ve outlined above, it’s a great piece. It’ll make you think, the people and bands in the documentary do a great job of giving us insight into why they enjoy baseball and even love it in some cases, but it also shows us how far we’ve come and how far we still have to go. Do yourself a favor and check it out below and be sure to check out the Baseball Punx website here. Besides how many of you know who Scott Radinsky is and why he’s the most awesome pitcher to have towed the rubber in MLB?

 

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Wild Beasts share career-spanning final album, Last Night All My Dreams Came True: Stream


We hope you’re wearing black, because today marks the release of the final Wild Beasts record. Titled Last Night All My Dreams Came True, the collection is a career-spanning live studio album comprised of 13 tracks. Subscribers of Apple Music and Spotify can stream below. You can album grab a copy here.

The album will feature cuts from 2008’s Limbo, Panto, 2011’s Smother, 2014’s Present Tense, and 2016’s Boy King. These aren’t just straightforward renditions, however. Just look at pre-release single “The Devil’s Palace”, which mashes together Limbo, Panto‘s “The Devil’s Crayon” and Present Tense‘s “Palace”. All 13 tracks were apparently recorded over just two days last summer at RAK Studios.

“It’s us as tight and slick as we ever have been,” the band’s Tom Fleming declared in a statement “And it’s also us giving the fewest fucks we’ve ever given. There’s a sense of celebration and destructiveness combined, a sense that the fetters are off. Not that they were ever on … but that sense of limited time before you shuffle off is very much a motivator.”

Wild Beasts announced their split in September via a statement on Facebook. “The four of us have decided, for our own reasons and in our own ways, that it is now time to leave this orbit,” they wrote. “We’re care takers for something precious and don’t want to have it diminish as we move forward with out lives.” The writing had been on the wall for a while, though. In a 2016 interview with The Independent, the band said they’d “become the band we objected to being.”

Last Night All My Dreams Came True follows last year’s Punk Drunk and Trembling, an EP of three original tracks. The band’s last shows are tonight and tomorrow in Manchester and London, respectively. More details, as well as the album’s artwork and tracklist, can be found below.

Last Night All My Dreams Came True Artwork:

last night all my dreams came true 3000x3000 72 dpi 1512576880 640x640 Wild Beasts share career spanning final album, Last Night All My Dreams Came True: Stream

Last Night All My Dreams Came True Tracklist:
01. Wanderlust (Live at RAK)
02. Big Cat (Live at RAK)
03. A Simple Beautiful Truth (Live at RAK)
04. 2BU (Live at RAK)
05. Bed Of Nails (Live at RAK)
06. Hooting & Howling (Live at RAK)
07. This Is Our Lot (Live at RAK)
08. He The Colossus (Live at RAK)
09. The Devil’s Palace (Live at RAK)
10. Alpha Female (Live at RAK)
11. Get My Bang (Live at RAK)
12. All The King’s Men (Live at RAK)
13. Celestial Creatures (Live at RAK)

Wild Beasts 2018 Tour Dates:
02/16 – Manchester, UK @ Albert Hall
02/17 – London, UK @ Eventim Apollo



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MGT teams up with founding members of The Cure for a remix of “The Assembly Line”


Goth-rock duo MGT has teamed up with former/founding members of The Cure, Lol Tolhurst and Pearl Thompson, for a remix, standalone single, dubbed “The Assembly Line (Cured Mix).” The track can be streamed now at Post-Punk.com. The new single is accompanied by a b-side track, also reworked by Tolhurst, “All The Broken Things (Lol Tolhurst Remix).”

“We enjoyed adding our light and shade to MGT’s new album with our contributions to the “Assembly Line” – getting us warmed up for our further adventures this year too!” – Lol Tolhurst and Pearl Thompson

“So pleased to have collaborated with these legends.. a huge influence on our music.. the moment we heard Lol’s and Pearl’s instrumentation on the song I was amazed how Curesque it sounded! You’ve got 50% of the original and classic Cure lineup right there… sounds brilliant” – Mark Gemini Thwaite

“As a long time fan of The Cure it is a true blessing to have Lol and Pearl add their magic to my favourite song on this album. Most grateful indeed!” – Ashton Nyte

In addition to the remix of “The Assembly Line,” MGT has also released an accompanying b-side, “All The Broken Things (Lol Tolhurst Remix).” Tolhurst adds, “I loved remixing “Broken Things,” such a beautiful track!”

The original versions of the tracks “The Assembly Line” and “All The Broken Things” are featured on MGT’s forthcoming album, Gemini Nyte, that’s due out on February 23rd from Cleopatra Records. The album is now available for pre-order at iTunesBandcamp.

MGT is a collaboration between former The Mission/Peter Murphy guitarist Mark Gemini Thwaite and vocalist Ashton Nyte of The Awakening. The upcoming album Gemini Nyte features 13 new songs written and recorded by Thwaite and Nyte, plus Paul Ferguson (KILLING JOKE) on drums and guest appearances by Burton C Bell (FEAR FACTORY) and Lol Tolhurst & Pearl Thompson,

In case you missed it, watch MGT’s recently released videos:

“All The Broken Things”

“Every Little Dream”

MGT will tour in support of Gemini Nyte with labelmate Jyrki 69 in March. The band’s lineup will feature Thwaite and Nyte, along with bassist Richard Vernon (The Mission) and drummer Nick Mason (Living Dead). Dates are listed below.

MGT Tour Dates (w/Jyrki 69):
Mar 9 – Mesa, AZ – Club Red
Mar 10 – Fullerton, CA – Slide Bar
Mar 11 – San Francisco, CA – DNA Lounge
Mar 13 – Portland, OR – Analog Lounge
Mar 15 – Seattle, WA – Studio Seven
Mar 16 – Boise, ID – Grainey’s Basement
Mar 17 – Salt Lake City, UT – Liquid Joe’s
Mar 18 – Las Vegas, NV – Beauty Bar
Mar 21 – West Hollywood, CA – Whisky A Go Go

For More Information:
https://www.facebook.com/mark.gemini.thwaite/
https://twitter.com/markgthwaite
http://www.mgtofficial.com/



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XclusivX Fanzine #10 is here


The only thing getting me almost as excited as when a new record pops up in the mail or I bargain for an old video game is getting my hands on some good reading material. In this week’s zine batch I found the 10th issue of XclusivX fanzine. I’ve missed the first 4-5 issues of this one, but Nikolay at Ugly and Proud Records has been regularly stocking the latest output of the zine and I managed to quickly catch up.

If you already know and love XclusivX I guess we can all agree they’re doing a great job with both design and content. Sadly, according to the XclusivX #10 intro the zine will have to go in a hiatus for a bit, but we hope it’s not gone for good because the zine scene needs issues like this. With a strong focus on straight edge, veganism, feminism and animal rights, XclusivX #10 once again perfectly balances between interviews with all kinds of people, from all kinds of scenes, but firmly related to DIY punk, hardcore and all branching subcultures.

There’s tons of recipes, lengthy talks about music (great to see Ecostrike on this one, after the dope Wake of Humanity interview in XclusivX #9) and a total highlight in this issue was the story of Little Rainbow Sanctuary. The photos on this one are also amazing and hearth-warming. I’m totally out of the Instagram hype so the #instavegans section is the sole thing I kind of dislike about the zine in general. The whole idea of putting on paper something related to IG feels weird but hey, there’s still a cool cause I can see behind it. And honestly, I’d truly prefer a newsfeed full of food photos, recipes or video games than a feed full of semi-naked humans jerking off to their followers count and ‘amazing and flawless’ lives that actually nobody should care about.

Won’t be spoiling your time with the zine by adding too much photos, but I’m sure the ones I took will make you order one right away. I honestly have no clue how you can order a copy online, but their Facebook link is right above, you can always write them an email and I’m sure, if the run is not sold out yet, they’ll hook you up with a copy. Another thing you can do is pinch your local hardcore punk distro and if they’re as cool as ours you’ll soon have some proper stuff to read while cooking.

P.S. After I posted this, I found the XclusivX online store and it seems #10 is already sold out. So, rush to the distros, people. We know at least one that has copies. *wink wink*



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Against Me! and Turbonegro switching performance days for Punk Rock Bowling


Due to complications in scheduling, Against Me! and Turbonegro are switching performance days for this year’s Punk Rock Bowling. Turbonegro will be performing on Sunday, May 27th at 7:25, and Against Me! will perform on Monday, May 28th at 7:25. You can check out the updated flyer below.

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Tiny Moving Parts – Swell


a2334147848_10Band: Tiny Moving Parts
Album: Swell
Label: Big Scary Monsters
Release date: January 2018
Sounds like: Sending applause to your heartstrings. A rapid detachment.

“Scan an open road, distort the traffic/Never getting used to these second guesses…”

Due to mishearing lyrics, I thought that on Malfunction, track 8 from the new Tiny Moving Parts album, Swell, vocalist Dylan Mattheisen said “I got dizzy right before the vapid detachments.” I thought “hell, that’s a terrific band name, The Vapid Detachments*!” However, I’m reliably informed that the word is rapid, which is still decent, if not better? Probably?

Tiny Moving Parts then, completed by the brothers Chevalier (Matt on bass, Billy on drums) are back with the follow up to 2016’s Celebrate and their second release through the Big Scary Monsters imprint. It’s quite an impressive move by BSM main man, Kevin to sign these dudes a few years back – they tick a lot of boxes and overlap into several others. Twiddly-math-emo styles? Check. Huge punk rock choruses that feel like a bone-crunching hug of joy? You betcha. An impassioned and earnest vocal lead that makes your heart…er…swell? Thumbs up.

Opening track Applause, asks for veritable ovation be sent to your heartstrings. There’s an edge of darkness in this though, whilst the twinkling guitars, math-punk riffs, scattered percussion and plethora of tambourines litter this, Mattheisen’s cries of “I want to give up” and the line “struggle with every single breath” seem to hold some desire to overcome and breakthrough a period of sadness. Luckily, the cry of “applause my lungs still breathing” on every single one of this song’s damn hook-laden choruses makes the glass seem half-full.

Building bridges is the topic of the soaring Smooth It Out – a track that seems to be about improving a relationship, talk of missteps and “smoke breaks” (taking time out) and offering to be the “weight on your shoulders” hey, it’s about love everyone! Aw. Mattheisen and the Chevalier boys carve out a crackling slab of spirited up-tempo heartland rock, which bursts with even more vigour thanks to the rising background strings/(keys?) and subtle gang-vocal melodies.

The jagged, punchy guitars on the aggravated Feel Alive, give the track a crisp, yet busy feel, whilst Mattheisen’s breathless and erratic vocals compliment the title incredibly well (fella really does want to feel alive it seems). Bloody love the underused additional vocals from Kelc Galluzzo and her call-and-response of “I still miss you.” Kind of makes me think of the additional vocals on High Speed from the Single Mothers album from last year; i.e. not used enough – more of this please.

Caution could well be your favourite single of 2018 and we’ve not even made it through February yet! That mathy-guitar 40 seconds in will do it, or even the massive chorus hook of “I’m still waiting…FOR A SLIGHT BREAK!” or maybe it’s the brilliant video? Whatever it is, this is indeed, love.

Someday we’re all going to die…but not tonight!” shouts Matthesien on the discordant but emo-rock-tastic Wildlife, showcasing how Tiny Moving Parts are striving to create huge fucking slogans to be shouted during their live shows, and all power to them for it. There’s a jagged urgency to the stumbling and frantic Whale Watching, whilst the riff-laden scuzz of Malfunction sets a more aggressive tone, especially the lyrics, with cries of frost filling Matthesien’s head and the repeated scream of “it’s a message” which you can see hordes of fans at their shows bellowing back at the band – superb. Warm Hand Splash starts with an apology and launches headfirst into regret. Should we be happy? It asks for forgiveness, and brims with venting and rending gusto and some lush horn sections adding to the punchy and flamboyant emotional conclusion. The Hotelier are probably taking notes.

Tiny Moving Parts couldn’t have picked a better title for this collection of songs really. These 10 tracks on Swell are fit to burst with impassioned beauty, melancholy, tales of loss and re-connection; from their erratic time changes to the heady blasts of breakneck punk rock and contemplative, brooding lyrical couplets. Sure, it might be cheesy in places, but sometimes that’s what you need in order to feel and care a little too much.

You can purchase Swell by absolute top lads Tiny Moving Parts from Big Scary Monsters. Or stream below.

 

Top tracks: Swell It Out, Caution, Malfunction, Warm Hand Splash

Links

Tiny Moving Parts
Tiny Moving Parts Webstore
Big Scary Monsters

*Also, The Vapid/Rapid Detachments will be releasing their debut album in 2020.

Lizard Hips

Lizard Hips

Junior Vice President of Keep It Fast. In other news: I work in social media, talk about dinosaurs, run a book club and have amazing facial hair. I am also a male man who is still not dead.

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Album Review: Great Wight – ‘The Suburbs Have Ruined My Life’


When it comes to emo, I like all the stuff that runs with the pack, but not necessarily what runs in its center. In other words, I like everything that gets swept along with the genre’s associations– Hot Water Music, Sorority Noise, Modern Baseball– but I rarely spin American Football, Foxing, or Tiny Moving Parts. Great Wight is another of those bands, one that could tour with emo bands, or sad-sack pop punk bands and straddle labels enough to spark arguments for the rest of their career. The truth is, Great Wight write catchy, confessional punk jams with an afro/queer focus. Their album, The Suburbs Have Ruined My Life is a tribute to punk rock’s continued (but under-realized) foundation as a genre for outsiders, as well as a showcase to Great Wight’s expert, emotive songwriting.

What captured me immediately were how easily the words formed melodies, maintaining an intimate and conversational tone, while still being musical. There’s something so effortless about the composition across The Suburbs Have Ruined My Life that you can’t help but feel you’ve already belted them out at show by the time the proverbial needle lifts off the last track. In this sense, they remind me of Sorority Noise, who have always excelled at that sort of easy, natural sounding cadence. Using this songwriting mode, vocalist Erik Garlington, talks about depression, the scene, being black, being atheist, and being queer. This may sound too specific to relate to on a larger scale, but as a straight white male, I found it had an immediate honest quality that made me think of the unsettling openness of early Against Me! It’s great stuff, that appeals to a common experience, all of the minutiae hanging under an umbrella labeled ‘Being Different.’

The songs are great all around, from opener “Curtain’s Up! It’s Showtime,” a beacon for like minds that cements a lot of Great Wight’s musical elements early on, to ending track “The Come Up,” a sort of spunky cowboy chord send-off where Garlington sings, “I hope I never have to write these songs again.” Good stuff, from start to finish. Authentic and vulnerable; sometimes confrontational in songs like “Not Black Enough,” a standout track that begins with “hey man, we need to talk,” and goes on to talk about the black experience, and what it does and doesn’t entail.

One of my favorite songs on the album was “Starring Michael Fassbender.” For how much punk likes to talk about sexuality, the genre clams up like an eleven year old having the ‘changing body’ talk when it comes to sex. “Starring Michael Fassbender” is presented as a sultry, unabashed, slithering conversation with a lover. There are so many great lines on this track, that I could probably quote the whole song, but it’s easy to imagine it as an intimate moment where two people begin to reach out of their repression and acknowledge, “what makes your back sweat and your fingers wet,” “….the things that won’t make your parents proud.”

The Suburbs Have Ruined My Life is a stunning debut. When an original voice like this comes out of nowhere, with such a developed songwriting talent to boot, one has to take notice. Great Wight has the potential to be spoken of in the same breath as all the other great emo bands of the day, and it’s hard to imagine a day when they won’t have just as rabid fans, packed into a club and hell-bent on transcendence. These are words meant to be sung back by the crowd, melody and lyrics joined in the holiest communion– the completion of a conversation.

4.5/5



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Divided Heaven announces West Coast tour


LA based folk punk act Divided Heaven has announced a full band tour. Fronted by Singer-Songwriter, Jeff Berman, the band will be touring the West Coast in support of their 2017 release, the Pacific Avenue EP.

Head down below for full tour dates.

2/16 – Pasadena, CA @ Old Towne Pub
3/2 – Boulder City, NV @ Boulder Dam Brewing Co.
3/3 – Santa Clarita, CA @ Drifters
3/9 – Victorville, CA @ Collective 47
3/16 – Paso Robles, CA @ Pour House
3/17 – Sacramento, CA @ The Blue Lamp
3/18 – Petaluma, CA @ Lagunitas
3/19 – Portland, OR @ Twilight
3/20 – Vancouver, BC @ The Cobalt
3/21 – Seattle, WA @ The Kraken
3/22 – Lebanon, OR @ Conversion Brewing Co.
3/23 – Reno, NV @ Jub Jubs
3/24 – Truckee, CA @ Pastime Club
3/25 – Las Vegas, NV @ Artisan Hotel



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