The joint trek launches in July and runs through mid-August. Over the course of 28 dates, the two acts will stop in cities such as Miami, Nashville, Boston, Brooklyn, Minneapolis, Chicago, Denver, Austin, and Las Vegas. Pop punk outfit The Story So Far will serve as opener throughout the itinerary.
Coheed and Cambria’s last album came in 2015 with The Color Before the Sun. Taking Back Sunday put out Tidal Wave in 2016.
Coheed and Cambria and Taking Back Sunday 2018 Tour Dates: 07/06 – Miami, FL @ Bayfront Park Amphitheater 07/07 – Tampa, FL @ MIDFLORIDA Credit Union Amphitheatre 07/08 – Jacksonville, FL @ Daily’s Place 07/10 – Atlanta, GA @ Chastain Park Amphitheater 07/11 – Nashville, TN @ Ascend Amphitheater 07/13 – Raleigh, NC @ Red Hat Amphitheater 07/15 – Baltimore, MD @ Pier Six Pavilion 07/17 – Boston, MA @ Blue Hills Bank Pavilion 07/18 – Philadelphia, PA @ Festival Pier at Penn’s Landing 07/19 – Holmdel, NJ @ PNC Bank Arts Center 07/21 – Brooklyn, NY @ Coney Island Boardwalk 07/22 – Pittsburgh, PA @ Stage AE 07/23 – Columbus, OH @ Express Live! Outdoor Amphitheatre 07/25 – Minneapolis, MN @ Armory 07/26 – Chicago, IL @ Huntington Bank Pavilion 07/27 – Sterling Heights, MI @ Michigan Lottery Amphitheatre 07/29 – Cleveland, OH @ Jacobs Pavilion 07/31 – Rogers, AR @ Walmart AMP 08/02 – Sugar Land, TX @ Smart Financial Centre 08/03 – Austin, TX @ Austin360 Amphitheater 08/04 – Irving, TX @ The Pavilion 08/06 – Denver, CO @ Sculpture Park 08/07 – Salt Lake City, UT @ Union Event Center 08/09 – Berkeley, CA @ The Greek Theatre 08/10 – Las Vegas, NV @ The Joint 08/11 – Irvine, CA @ FivePoint Amphitheatre 08/12 – Phoenix, AZ @ Comerica Theatre
The multi-part song kicks off with tender folk melodies featuring acoustic guitar and string flourishes before transitioning into a catchy pop punk number midway through. Frances Quinlan’s vocals adapt to the changing sound as she spins a story about Abel and Cain. “Shirt bloodstained,” she belts. “And yet it was not Abel but Cain who got to hear/ The voice that for so long had been a stranger/ Not one word of all the time they spent growing up brothers.”
Check it out below.
Bark Your Head Off, Dog follows 2015’s excellent Painted Shut and will arrive April 6th on Saddle Creek. Pre-orders are ongoing here. The Philadelphia rock outfit will support the album with a two-month-long North American tour. Check out the complete schedule here.
Origins, our reoccurring new music feature, finds an artist reflecting on the various influences for their latest single.
After relentless touring and releasing two noisy albums over the last eight years, Ed Schrader’s Music Beat were ready for a shake up. They’d seen plenty of accolades and success with the pattern they’d been following, but in any situation, repetition can lead to boredom, and the post-punk duo were looking for something new. So when it came time to record their third full-length, the upcoming Riddles, they tapped Dan Deacon to produce, arrange, and co-wrote, and set out in a fresh direction.
The record’s latest single, “Seagull”, reflects that desire for forward momentum in all its forms. Structurally, the track is all about building towards something greater, opening with slinking bass and the jazzy snaps of a musical street gang. As it inches onward, layers of taut percussion begin to beat in the background, pushing louder until the entire song tears the tension into a full charge of violent shakes.
“‘Seagull’ is about a person who fears all the trappings of complacency, and to whom the term ‘settling down’ is like kryptonite,” Ed Schrader himself tells Consequence of Sound. “It is about that irrepressible road warrior in all of us that needs to feel the flame and skinned knees of adventure! The young, idealistic artist who prizes content over currency! Within the song though we see the cost of that freedom: ‘Leaving is such a mess/ But I’m tired of just hanging round.’”
Take a listen:
Riddles arrives March 2nd via Carpark Records. For more insight into “Seagull”, Schrader has detailed some of the track’s Origins, from Han Solo to Sonic Youth.
The lust for the road, fame and the wild places it takes the character transforms them to a hardened journeyman who ultimately knows they must join the pack to infiltrate and reset it completely, like when Han Solo dresses like a Stormtrooper! I always emulated Han Solo growing up cause he’s a hustler and an outsider. I always felt like an outsider myself, and I still hustle to this day — between selling Cats On The Lake T Shirts, flipping burgers, doing a talk show, plus a cartoon, playing in a band and I have a pop-up called Pasta The Gathering… I’m always hustling .
Sonic Youth — Sister:
I wanted to do something that was like Sonic Youth’s Sister meets weird Sinatra! Sonic Youth were always this band that everyone else got but me, until my friends Bill and Andy made me listen to them. My friends Mike and Alan got me further into the Sonic Zone as well with the album Sister. I always loved the visceral sadness implied about a fellow sibling suffering through something via minimal expressionist prose and fuzzy jangled guitars. My brother has autism and I always feel like we see each other but there’s this wall. Sonic Youth depicts that well in their masterpiece.
David Bowie — “Little Wonder”:
There’s some “Little Wonder” in there for good measure. “So wiiiiiiide” — that was a song from Bowie’s Earthling album. “Little Wonder” to me feels like an older self talking to a younger self saying, “Hang in there and ya’ll ain’t gonna believe what’s next!” I feel a bit like that now. See, younger self — I told you it’d be cool someday!
Radiohead — Kid A:
I was also revisiting Radiohead’s Kid A at the time, which I guess you can hear a bit.
I also once ordered seagull off a menu without realizing to Devlin [Rice]’s complete amusement — I’ll get him back one day! Tasted like chicken.
Origins is a recurring new music feature in which an artist charts the influence of their latest single.
April 2017 saw Death release “Cease Fire”, a single in which they lamented the rampant use of weapons of violence in American schools, movie theaters, and places of worship. The proto-punk veterans are back today with a similarly socially conscious offering titled “Give It Back”.
The track was originally penned and demoed by the band’s Bobby Hackney way back in 1979, but revived in just the last couple of months. According to a statement, Death chose to re-record and officially release “Give It Back” as a way to address the environmental and cultural challenges that our society currently faces. The track addresses “global climate changes, social and cultural stumbling blocks, world leaders in disarray, and the dissolution of dreams once hoped for that are proven lies or were lost,” a statement adds.
Death elaborate to Consequence of Sound, “David especially liked the theme of this song as he often predicted that the earth can take only so much of the pollution, garbage, wars, destruction, man’s inhumanity to mankind, and environmental interruption from mankind before it demands us to ‘Give It Back’.”
The song finds Death folding in rock influences from the ’60s, ’70s, and ’80s while critiquing humanity’s lack of accountability and responsibility:
“We can’t hide the fact that we’re on a one way track We’ve taken from this earth, now it’s time to give it back! Machines are talking, and mouths are shut. The appointed leaders are in a rut. This is not the land of make believe. As a child they told me that this would be.”
Take a listen:
“Give It Back” Single Artwork:
For this edition of Origins, Death break down “Give It Back” and tell us how the current events of the ’70s and Marvin Gaye helped inspire them in the studio. The song will be available as a 7-inch come February 21st; pre-order it here.
The current events of the ’70s:
The inspiration for “Give It Back” is what was happening during the time the song was written and has really come to fruition today. During the time this song was written, the world had just begun to address the concerns about climate-change, robotic and computer devices pushing their way into our everyday lives, the deceptions of government and corporate agendas, and the dissolutions of the expectations of the common man and woman in the so-called pursuits of happiness. The biggest inspiration for “Give It Back” happened on March 28, 1979, the date of the “Three Mile Island Nuclear Accident” It was as if in spite of all the warnings, protests, and crying out for truth, mankind’s relentless disregard for the earth had to bring about the inevitable. If it is true that history keeps repeating itself, where do we stand today?
Marvin Gaye — “What’s Going On”:
As predicted by so many musical artists, from Dylan, to Lennon, Marvin Gaye, Joan Baez, U2, Patti Smith, Stevie Wonder, and so many others: The world won’t beg and plead with us, it will just take it back, whenever, where ever, and how ever it will. If there is any song or album that help fuel inspiration for “Give It Back”, it would have to be Marvin Gaye’s “What’s Going On”.
Other music of past generations:
The music is up-beat with a melody that rings the tone of the vibe of the great sound of Rock-N-Roll throughout the grooving and surfing 60s, the conscious 70s, and the crossroad 80s. This song is a song for today, a song for right now.
It’s coming up on two years since Descendents released their latest effort, 2016’s Hypercaffium Spazzinate, but they’re still strongly supporting it. The California punk veterans will spend a good chunk of 2018 touring behind the album, as they’ve just revealed a new stretch of US dates.
The trek is broken into two legs, one in spring and one in summer/fall. After performing at Atlantic City Beer & Music Festival, the tour proper will launch April 12th in St. Petersburg, Florida. That leg will culminate in a trio of Colorado show before the summer stretch kicks off in Buffalo, New York on August 3rd. It all wraps up with a November 17th gig in Tulsa, Oklahoma
Find the full docket below.
Descendents 2018 Tour Dates: 03/23 – Atlantic City, NJ @ Atlantic City Beer & Music Festival 04/12 – St. Petersburg, FL @ Jannus Live 04/13 – Fort Lauderdale, FL @ Revolution Live 04/14 – Gainesville, FL @ 8 Seconds 04/15 – Jacksonville, FL @ Mavericks Live 05/03 – Ventura, CA @ Majestic Ventura Theatre 05/04 – Chico, CA @ Senator Theatre 05/05 – Sacramento, CA @ Ace of Spades 05/06 – Berkeley, CA @ UC Theatre 05/16 – Costa Mesa, CA @ MUSINK Tattoo & Music Convention 05/24 – Asheville, NC @ The Orange Peel 05/25 – Nashville, TN @ Marathon Music Works 05/26 – Raleigh, NC @ The Ritz 05/27 – Richmond, VA @ The National 06/07 – Colorado Springs, CO @ The Black Sheep 06/08 – Boulder, CO @ Boulder Theater 06/09 – Bellevue, CO @ Mishawaka Amphitheatre 07/06 – Roskilde, DK @ Roskilde Festival 07/07 – Haarlem, NL @ Patronaat 07/13- Munich, DE @ Backstage Werk 08/03 – Buffalo, NY @ Riverworks 08/04 – Portland, ME @ State Theatre 08/05 – Burlington, VT @ Higher Ground Ballroom 08/24 – Cincinnati, OH @ Bogarts 08/26 – Indianapolis, IN @ Old National Centre (Egyptian Room) 09/14 – New Orleans, LA @ Joy Theater 09/15 – Athens, GA @ Georgia Theatre 09/16 – Columbia, SC @ Music Farm 10/04 – Spokane, WA @ Knitting Factory 10/05 – Seattle, WA @ Showbox SoDo 10/06 – Portland, OR @ Crystal Ballroom 10/25 – Silver Spring, MD @ The Fillmore 10/26 – New York, NY @ PlayStation Theater 10/27 – Worcester, MA @ The Palladium 10/28 – New Haven, CT @ Toad’s Place 11/15 – Tucson, AZ @ Rialto Theatre 11/16 – Albuquerque, NM @ Sunshine Theater 11/17 – Tulsa, OK @ Cain’s Ballroom
Due out via Merge Records (the label founded by Superchunk’s own Mac McCaughan), it serves as the band’s 11th studio effort and follow-up to I Hate Music from 2013. Special guest collaborators such as Katie Crutchfield (Waxahatchee), Stephin Merritt (The Magnetic Fields), Sabrina Ellis (A Giant Dog), and David Bazan appear throughout the course of the album’s 11 tracks.
What a Time to Be Alive — not to be confused with Drake’s mixtape of the same name — was written almost entirely between November 2016 and February 2017, right around the same time of the now-infamous US election that put Donald Trump in power. The record is said to reflect on those politically turbulent months.
“It would be strange to be in a band, at least our band, and make a record that completely ignored the surrounding circumstances that we live in and that our kids are going to grow up in,” McCaughan notes in a press statement. He goes on to describe the album as “about a pretty dire and depressing situation but hopefully not a record that is dire and depressing to listen to.”
What a Time to Be Alive Tracklist: 01. What a Time to Be Alive 02. Lost My Brain 03. Break the Glass 04. Bad Choices 05. Dead Photographers 06. Erasure 07. I Got Cut 08. Reagan Youth 09. Cloud of Hate 10. All for You 11. Black Thread
Danish punk rockers Iceage have returned with their first new material since their excellent sophomore album, 2014’s Plowing Into the Field of Love. It comes in the form of a self-produced new song, “Catch It”, which was recorded to analog by Mattias Glavå at Sweden’s Kungsten Studios.
The track features haunting vocals by Elias Bender Rønnenfelt and builds toward a thrashing breakdown of guitars and crashing percussion during the latter half of the song. “Time moves forward quickly,” he sings. “Moves in twenty-four-hour segments/ Racing for the soul to grab chokehold.”
“Catch It” arrives with an accompanying Adam Hashemi-directed video mostly shot on 8mm film in Los Angeles. Watch it below.
Iceage have also announced a two-month long tour with Mary Lattimore in support, during which they promise to preview more fresh material. It kicks off on May 10th in Seattle after a handful of remaining European dates and runs through June 28th in New York. Along the way, the quartet will play cities including Nashville, New Orleans, Los Angeles, and more. Check out the complete itinerary below.
Iceage 2018 Tour Dates: 05/02 – Copenhagen, DE @ Hotel Cecil 05/04 – Berlin, DE @ Private Club 05/05 – Amsterdam, NE @ Bitterzoet 05/06 – Brussels, BE @ La Nuit De Botanique 05/07 – Paris, FR @ Petit Bain 05/08 – London, UK @ Scala 05/10 – Seattle, WA @ Nordic Museum 05/16 – New York, NY @ Bowery Ballroom 05/17 – Philadelphia, PA @ First Unitarian Church 05/18 – Washington, DC @ Union Stage 05/19 – Richmond, VA @ The Camel 05/20 – Carrboro, NC @ Cat’s Cradle 05/21 – Nashville, TN @ Mercy Lounge 05/22 – Atlanta, GA @ The Earl 05/23 – Birmingham, AL @ Saturn 05/24 – New Orleans, LA @ Santos 05/25 – Houston, TX @ Rockefeller’s 05/26 – Dallas, TX @ Club Dada 05/27 – Austin, TX @ Barracuda 06/05 – San Diego, CA @ The Casbah * 06/06 – Los Angeles, CA @ The Regent Theater * 06/07 – Felton, CA @ Don Quixote’s International Music Hall * 06/08 – San Francisco, CA @ Great American Music Hall * 06/09 – Sonoma, CA @ Huichica Music Festival * 06/11 – Portland, OR @ Mississippi Studios * 06/12 – Vancouver, BC @ The Astoria * 06/14 – Spokane, WA @ The Bartlett * 06/15 – Bozeman, MT @ The Rialto * 06/16 – Salt Lake City, UT @ Kilby Court * 06/17 – Denver, CO @ Bluebird Theater * 06/18 – Omaha, NE @ Waiting Room * 06/19 – Minneapolis, MN @ 7th St Entry * 06/20 – Milwaukee, WI @ Cactus Club * 06/22 – Detroit, MI @ El Club * 06/23 – Toronto, ON @ Lee’s Palace * 06/24 – Ottawa, ON @ The 27 Club * 06/25 – Montreal, QC @ La Sala Rossa * 06/26 – Portsmouth, NH @ 3S Artspace * 06/27 – Boston, MA @ The Sinclair * 06/28 – New York, NY @ Market Hotel *
“One day off tour I woke up one morning and I walked downstairs and I wrote a song,” Carrabba told The New York Times about the genesis of the album. “It was evident from the first melodic idea that this was a Dashboard song… After all that time I’d begun to wonder if they’d ever come back, and when they came back they came back in rapid succession. The whole thing was a cavalcade and I just surrendered to it.”
Crooked Shadows Tracklist: 01. We Fight 02. Catch You 03. About Us 04. Heart Beat Here 05. Belong 06. Crooked Shadows 07. Open My Eyes 08. Be Alright 09. Just What To Say
Crooked Shadows is the follow-up to 2009’s Alter the Ending. Dashboard Confessional will commence their North American trek behind the release on February 21st in Vancouver. They’ll be joined by Philly punk outfit Beach Slang during the US leg of the tour. Check out the complete schedule here, and grab tickets here.
Sleater-Kinney have begun recording the follow-up to their 2015 reunion album, No Cities to Love. In an interview with Stereogum, guitarist and vocalist Carrie Brownstein revealed that the trio recently returned to the studio and stated that if all goes to plan, their next full-length should arrive early next year.
“We went back in the studio at the end of 2017 up in Portland and we recorded five songs and we are going to continue in that way for a while,” Brownstein stated. She also explained the band’s new process is a major departure from the “classic band dynamics of getting together in a basement and writing” as a result of their busy schedules.
“We’ll write separately and then send each other ideas over email, and then we work on the songs kind of remotely and then we come together in the studio,” Brownstein elaborated. “I think changing the process has been really interesting, and challenging for us in a good way. Because it disallows any falling back on the usual ideas or settling into something that we feel like we’ve done before.”
Brownstein said the band plans to “carve out some time in February/March” as the next step, and if they “continue going as is that an album should be around early next year.”
In November, Paramore unveiled the music video for “Fake Happy”, which showed New York City residents feigning their sense of joy. In the band’s follow-up clip, this time for “Rose-Colored Boy”, a similar theme permeates: Sometimes things aren’t always as they seem.
Directed by Warren Fu (The Weeknd, HAIM), Paramore portray a ’70s TV news team that seems to be perpetually cheery. Of course, as is usually the case, there’s quite a bit of darkness and rage simmering just beneath the surface. Watch Hayley Williams and the rest of the crew of Wake Up! Roseville in the fun clip up above.
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PUNX.UK was formed by a Manchester anarcho punk collective in 2013 as a webzine sharing info on local gigs and bands.
Originally focusing on creating a DIY gig guide for our city we then expanded to cover the whole of the UK scene in 2014.
Since then we've faithfully tried to promote all the events, blogs, websites and sounds of resistance throughout the country and beyond.
In 2016 we partnered with Sabcat Workers Cooperative to produce dissident political wear providing financial support to the activist causes, benefits, unions, bands, and community groups that we work with.