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Parquet Courts announce new album, Wide Awake!, produced by Danger Mouse


Parquet Courts have announced a new album called Wide Awake!. Due out May 18th via Rough Trade, the full-length follows last year’s collaboration with Daniele Luppi and Karen O, MILANO, and 2016’s Human Performance.

The 13-track effort was produced by Brian Burton, aka Danger Mouse, who actually initiated the collaboration. The mega-producer’s offer was providential, as the Brooklyn garage rockers were looking for a way to push beyond their comfort zone. “I personally liked the fact that I was writing a record that indebted to punk and funk, and Brian’s a pop producer who’s made some very polished records,” said singer/guitarist A Savage. “I liked that it didn’t make sense.”

Illogical as it may have seemed, the collaboration led to an album that perfectly expressed the band’s current feelings of both ferocity and vulnerability. “In such a hateful era of culture, we stand in opposition to that — and to the nihilism used to cope with that — with ideas of passion and love,” explained guitarist/songwriter Austin Brown.

That anti-nihilistic search for serenity is well represented on the album’s lead single, “Almost Had To Start A Fight / In And Out Of Patience”. The track is a shambolic post-punk revivalist jam that’s held tightly together by Burton’s board work and drummer Max Savage’s taut percussion. “I want I want I want I want/ Not to feel numb about death,” Savage yelps poignantly. “Finding finding finding finding/ Peace is not an easy task/ We need we need we need we need/ To see if there’s any left.”

Take a listen via the lyric video below. Pre-orders for Wide Awake! are available here.

Wide Awake! Artwork:

Parquet Courts -- Wide Awake!

Wide Awake! Tracklist:
01. Total Football
02. Violence
03. Before the Water Gets Too High
04. Mardi Gras Beads
05. Almost Had to Start a Fight/In And Out of Patience
06. Freebird II
07. Normalization
08. Back to Earth
09. Wide Awake
10. NYC Observation
11. Extinction
12. Death Will Bring Change
13. Tenderness

Parquet Courts will support Wide Awake! on their forthcoming tour, including a new batch of summer dates with Goat Girl. Find their complete docket ahead.

Parquet Courts 2018 Tour Dates:
02/22 – Santa Cruz, CA @ Coconut Grove Ballroom *
02/23 – Los Angeles, CA @ Masonic Lodge at Hollywood Forever ^
02/24 – Los Angeles, CA @ Masonic Lodge at Hollywood Forever #
04/24 – Houston, TX @ White Oak Music Hall
04/26 – Austin, TX @ Stubb’s – Levitation %
04/27 – Norman, OK @ Norman Music Festival
04/28 – Dallas, TX @ Sons of Hermann Hall
04/29 – Englewood, CO @ The Gothic Theatre
05/05 – Atlanta, GA @ Shaky Knees Festival
05/23 – Boston, MA @ Royale &
05/24 – Providence, RI @ Fete Ballroom &
05/25 – Portland, ME @ Port City Music Hall &
05/26 – Montreal, QC @ Theatre Fairmount &
05/27 – Toronto, ON @ Phoenix Theatre &
05/28 – Detroit, MI @ El Club &
05/30 – Madison, WI @ Majestic Theatre &
05/31 – Minneapolis, MN @ Fine Line &
06/01 – Lawrence, KS @ The Granada &
06/02 – St Louis, MO @ Ready Room &
06/03 – Nashville, TN @ Basement East &
06/05 – Asheville, NC @ Orange Peel &
06/06 – Carborro, NC @ Cat’s Cradle &
06/07 – Washington, DC @ 9:30 Club &
06/08 – Philadelphia, PA @ Union Transfer &
07/04 – Berlin, DE @ Festsaal Kreuzberg
07/05 – Hamburg, DE @ Molotow
07/06 – Groningen, NL @ Vera
07/08 – Hérouville saint Clair, FR @ Festival Beauregard Festival
07/12 – Bilbao, ES @ Bilbao BBK Festival
07/14 – Beccles, UK @ Latitude Festival
07/15 – Kortrijk, BE @ De Kreun
07/17 – Duedingen, CH @ Bad Bonn

* = w/ Thurston Moore, Heron Oblivion
^ = w/ Mary Lattimore
# = w/ Anna St. Louis
% = w/ Ty Segall
& = w/ Goat Girl



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Mating Ritual share the Origins of two new songs, “U + Me Will Never Die” and “Splitting in Two”: Stream


Origins is a recurring new music feature in which artists delve into the influences of their latest musical creations.

When Pacific Air went on hiatus in 2014, Ryan Lawhon used the downtime to launch a solo project he baptized Mating Ritual. Following the release of his 2017 debut, How You Gonna Stop It?, Lawhon realized how much he missed working alongside collaborators — specifically, his brother and former bandmate, Taylor. So with Pacific Air still resting, the Lawhons decided to get back together for Mating Ritual’s sophomore effort, the forthcoming Light Myself on Fire.

Due out May 4th via Ryan’s own Smooth Jaws label, Light Myself on Fire features nine tracks that are “darker, grittier” than Mating Ritual’s first effort. The shift comes from a blending of the siblings’ varied musical dispositions as they explore their personal maturation in what Ryan calls a “better-late-than-never coming of age record.”

Lead single “U + Me Will Never Die”, for example, comes in on a deep breath that exhales as a murky disco hip-shaker, an uneasy dance as Ryan wrestles with the fact that so much of his inspiration comes while intoxicated. Thick synths weigh on the good times, a reminder that the best feelings — especially those induced by external substances — are never eternal. The song’s B-side, “Splitting in Two”, is a breakup track befitting its title. Buzzier and heavier, it plays out like someone dragging their finger along a spinning Miike Snow record.

Both tracks are being premiering today along with their respective Origin stories. Listen below and read on to learn how living together and watching High Fidelity impacted the duo’s new music.

“U + Me Will Never Die”:

“‘U + Me’ is about relying on substances for creative inspiration, the feeling of invincibility you get when you don’t have to be in your own mind for a bit. I’m not glorifying drug use nor am I condemning it, I’m just coming to terms with the fact thats it’s become part of my life, and I’m not entirely sure how I feel about it.” — Ryan Lawhon

Cohabitation:

img 0471 800x600 Mating Ritual share the Origins of two new songs, U + Me Will Never Die and Splitting in Two: Stream

Last summer, my brother and I moved to Mt. Washington, a neighborhood that despite being only 10 minutes from DTLA, feels like a remote community where you can do anything you want. Having never lived together, we took advantage of our lack of neighbors and began writing music late at night, something we’ve never really had the opportunity to do before. It wasn’t a conscious decision, more an inadvertent side effect of drinking too much wine and not being able to fall asleep, but it yielded a shift in our writing where we focused less and relied more on instinct.

Footsies:

10264933 321839467964850 6531053860224422371 n Mating Ritual share the Origins of two new songs, U + Me Will Never Die and Splitting in Two: Stream

There isn’t anything special about Footsies, with the exception of it being the only bar within walking distance of our house, and the fact that people lose their shit there. DJs are usually on point, drinks are cheap, and depending on the night it’s a pretty diverse crowd. We started many songs on the record (including this one) while walking home after last call, twisting melodies and beats we’d heard earlier and recording till morning in our home studio.

Ken Lazlo — “Tonight”:

I don’t remember when or where I first heard this song, but for some reason it stuck with me this past summer. The more we indulged ourselves in 80’s pop, the more we became obsessed with no hit wonders like this and Ryan Paris’ “Dolce Vita”. Since I was born two years after its release, I’m not burdened with the context of these artists in the way I am with modern artists, especially in the pop landscape which I assume these songs lived. I enjoy it as escapism to a time that I’m sure isn’t much different from the life I’m living now

“Splitting in Two”:

“‘Splitting in Two’ is about dealing with the after math of an intertwined long term relationship. When you have all the same friends, live in the same neighborhood and work together, it’s hard not to be reminded of that person everywhere you go.” — Ryan Lawhon

Darkel — “Be My Friend”:

This song was a turning point for what we listened to in high school. I was into emo and post punk, and Taylor folk, but this song opened us up to the whole French electro movement that was happening. We still use this song as a template for our synth and sound design.

Beyond the Mind’s Eye:

This early CG film (with music by Jan Hammer) might be our most watched movie. Released the year Taylor was born, it’s another one of those things that’s just always been a part of our lives. Essentially a compilation of avant garde music videos, every time we make a down tempo synth song it’s hard for me to imagine any other visual but this film, specifically the butterfly scene.

High Fidelity:

Having never read the book, the film was a defining view of breakups for me growing up. I think it’s important to gain perspective in times of emotional stress. No need to make reactionary moves that might permanently burn bridges. The grass isn’t always greener.

Light Myself on Fire Artwork:

Mating Ritual -- Light Myself on Fire

Light Myself on Fire Tracklist:
01. Light Myself On Fire
02. U + Me Will Never Die
03. Heaven’s Lonely
04. Stop Making Sense
05. Low Light
06. Splitting In Two
07. Monster
08. Lust And Commitment
09. I Know So Much Less Than I Thought I Did



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Hop Along share new song “Not Abel”: Stream


Last month, Hop Along announced their upcoming album, Bark Your Head Off, Dog, and shared the lead single, “How Simple”. Now, they’ve followed up with a new track called “Not Abel”.

The multi-part song kicks off with tender folk melodies featuring acoustic guitar and string flourishes before transitioning into a catchy pop punk number midway through. Frances Quinlan’s vocals adapt to the changing sound as she spins a story about Abel and Cain. “Shirt bloodstained,” she belts. “And yet it was not Abel but Cain who got to hear/ The voice that for so long had been a stranger/ Not one word of all the time they spent growing up brothers.”

Check it out below.

Bark Your Head Off, Dog follows 2015’s excellent Painted Shut and will arrive April 6th on Saddle Creek. Pre-orders are ongoing here. The Philadelphia rock outfit will support the album with a two-month-long North American tour. Check out the complete schedule here.



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Wild Beasts share career-spanning final album, Last Night All My Dreams Came True: Stream


We hope you’re wearing black, because today marks the release of the final Wild Beasts record. Titled Last Night All My Dreams Came True, the collection is a career-spanning live studio album comprised of 13 tracks. Subscribers of Apple Music and Spotify can stream below. You can album grab a copy here.

The album will feature cuts from 2008’s Limbo, Panto, 2011’s Smother, 2014’s Present Tense, and 2016’s Boy King. These aren’t just straightforward renditions, however. Just look at pre-release single “The Devil’s Palace”, which mashes together Limbo, Panto‘s “The Devil’s Crayon” and Present Tense‘s “Palace”. All 13 tracks were apparently recorded over just two days last summer at RAK Studios.

“It’s us as tight and slick as we ever have been,” the band’s Tom Fleming declared in a statement “And it’s also us giving the fewest fucks we’ve ever given. There’s a sense of celebration and destructiveness combined, a sense that the fetters are off. Not that they were ever on … but that sense of limited time before you shuffle off is very much a motivator.”

Wild Beasts announced their split in September via a statement on Facebook. “The four of us have decided, for our own reasons and in our own ways, that it is now time to leave this orbit,” they wrote. “We’re care takers for something precious and don’t want to have it diminish as we move forward with out lives.” The writing had been on the wall for a while, though. In a 2016 interview with The Independent, the band said they’d “become the band we objected to being.”

Last Night All My Dreams Came True follows last year’s Punk Drunk and Trembling, an EP of three original tracks. The band’s last shows are tonight and tomorrow in Manchester and London, respectively. More details, as well as the album’s artwork and tracklist, can be found below.

Last Night All My Dreams Came True Artwork:

last night all my dreams came true 3000x3000 72 dpi 1512576880 640x640 Wild Beasts share career spanning final album, Last Night All My Dreams Came True: Stream

Last Night All My Dreams Came True Tracklist:
01. Wanderlust (Live at RAK)
02. Big Cat (Live at RAK)
03. A Simple Beautiful Truth (Live at RAK)
04. 2BU (Live at RAK)
05. Bed Of Nails (Live at RAK)
06. Hooting & Howling (Live at RAK)
07. This Is Our Lot (Live at RAK)
08. He The Colossus (Live at RAK)
09. The Devil’s Palace (Live at RAK)
10. Alpha Female (Live at RAK)
11. Get My Bang (Live at RAK)
12. All The King’s Men (Live at RAK)
13. Celestial Creatures (Live at RAK)

Wild Beasts 2018 Tour Dates:
02/16 – Manchester, UK @ Albert Hall
02/17 – London, UK @ Eventim Apollo



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Superchunk premiere new album What a Time to Be Alive: Stream


Superchunk are slated to release their first album in four years, What a Time to Be Alive, this Friday, February 16th. In anticipation, NPR is streaming the LP in its entirety here.

Due out via Merge Records (the label founded by Superchunk’s own Mac McCaughan), it serves as the band’s 11th studio effort and follow-up to I Hate Music from 2013. Special guest collaborators such as Katie Crutchfield (Waxahatchee), Stephin Merritt (The Magnetic Fields), Sabrina Ellis (A Giant Dog), and David Bazan appear throughout the course of the album’s 11 tracks.

(Read: The 10 Most Anticipated Punk Albums of 2018)

What a Time to Be Alive — not to be confused with Drake’s mixtape of the same name — was written almost entirely between November 2016 and February 2017, right around the same time of the now-infamous US election that put Donald Trump in power. The record is said to reflect on those politically turbulent months.

“It would be strange to be in a band, at least our band, and make a record that completely ignored the surrounding circumstances that we live in and that our kids are going to grow up in,” McCaughan notes in a press statement. He goes on to describe the album as “about a pretty dire and depressing situation but hopefully not a record that is dire and depressing to listen to.”

To coincide with the release of the LP, Superchunk will launch a North American tour later this week.

What a Time to Be Alive Album Artwork:


superchunk stream what a time be alive album Superchunk premiere new album What a Time to Be Alive: Stream

What a Time to Be Alive Tracklist:
01. What a Time to Be Alive
02. Lost My Brain
03. Break the Glass
04. Bad Choices
05. Dead Photographers
06. Erasure
07. I Got Cut
08. Reagan Youth
09. Cloud of Hate
10. All for You
11. Black Thread



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Iceage return with new song “Catch It”: Stream


Danish punk rockers Iceage have returned with their first new material since their excellent sophomore album, 2014’s Plowing Into the Field of Love. It comes in the form of a self-produced new song, “Catch It”, which was recorded to analog by Mattias Glavå at Sweden’s Kungsten Studios.

The track features haunting vocals by Elias Bender Rønnenfelt and builds toward a thrashing breakdown of guitars and crashing percussion during the latter half of the song. “Time moves forward quickly,” he sings. “Moves in twenty-four-hour segments/ Racing for the soul to grab chokehold.”

“Catch It” arrives with an accompanying Adam Hashemi-directed video mostly shot on 8mm film in Los Angeles. Watch it below.

Iceage have also announced a two-month long tour with Mary Lattimore in support, during which they promise to preview more fresh material. It kicks off on May 10th in Seattle after a handful of remaining European dates and runs through June 28th in New York. Along the way, the quartet will play cities including Nashville, New Orleans, Los Angeles, and more. Check out the complete itinerary below.

Iceage 2018 Tour Dates:
05/02 – Copenhagen, DE @ Hotel Cecil
05/04 – Berlin, DE @ Private Club
05/05 – Amsterdam, NE @ Bitterzoet
05/06 – Brussels, BE @ La Nuit De Botanique
05/07 – Paris, FR @ Petit Bain
05/08 – London, UK @ Scala
05/10 – Seattle, WA @ Nordic Museum
05/16 – New York, NY @ Bowery Ballroom
05/17 – Philadelphia, PA @ First Unitarian Church
05/18 – Washington, DC @ Union Stage
05/19 – Richmond, VA @ The Camel
05/20 – Carrboro, NC @ Cat’s Cradle
05/21 – Nashville, TN @ Mercy Lounge
05/22 – Atlanta, GA @ The Earl
05/23 – Birmingham, AL @ Saturn
05/24 – New Orleans, LA @ Santos
05/25 – Houston, TX @ Rockefeller’s
05/26 – Dallas, TX @ Club Dada
05/27 – Austin, TX @ Barracuda
06/05 – San Diego, CA @ The Casbah *
06/06 – Los Angeles, CA @ The Regent Theater *
06/07 – Felton, CA @ Don Quixote’s International Music Hall *
06/08 – San Francisco, CA @ Great American Music Hall *
06/09 – Sonoma, CA @ Huichica Music Festival *
06/11 – Portland, OR @ Mississippi Studios *
06/12 – Vancouver, BC @ The Astoria *
06/14 – Spokane, WA @ The Bartlett *
06/15 – Bozeman, MT @ The Rialto *
06/16 – Salt Lake City, UT @ Kilby Court *
06/17 – Denver, CO @ Bluebird Theater *
06/18 – Omaha, NE @ Waiting Room *
06/19 – Minneapolis, MN @ 7th St Entry *
06/20 – Milwaukee, WI @ Cactus Club *
06/22 – Detroit, MI @ El Club *
06/23 – Toronto, ON @ Lee’s Palace *
06/24 – Ottawa, ON @ The 27 Club *
06/25 – Montreal, QC @ La Sala Rossa *
06/26 – Portsmouth, NH @ 3S Artspace *
06/27 – Boston, MA @ The Sinclair *
06/28 – New York, NY @ Market Hotel *

* = w/ Mary Lattimore



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The Royal They – Foreign Being


theroyalthey-foreign-beingBand: The Royal They
Album: Foreign Being
Label: King Pizza Records
Release date: Out Now
Sounds like: Be Your Own Pet cutting you open with their guitar strings. 

The stark contrast between the explosive snarl of album opener C.N.T. and the closing pop-punk blast of Weekender is one of the many, many great things about Foreign Being, the second album by New York trio, The Royal They. In fact, this album twists and turns itself inside out, reshaping constantly, but it is anchored by one common goal – to hit you hard and make you take notice. At first, it felt solely driven by anger – sure, there’s rage in this – boy, is their rage. The guitars howl and fizzle with acidic intent; but there’s also a hell of a lot of heart in this and that heart is pumping raw, bloody emotion from every ventricle.

Take C.N.T. for example (what’s missing? Just “U”) a rabid, powerful, brackish snap of furious noise; a rallying cry for those who have ever felt alone or lost in light of certain events in the entertainment industry. It points fingers and calls out all those with their “perverted breach” and talks of their “sick deceit” and is capped off with the huge “I know you’ll try to fuck the world/But you will not fuck me” scream from vocalist/guitarist Michelle Hutt. Powerful, emotional, burning rage spat with such passion and such vitriol and one of the best album openers I’ve heard in a long while.

Addiction and loss pepper the buzz-saw raw rock of Sludgefucker (excellent song title alert) as talk of twitching eyes, misunderstood anger and referencing moments of pure bliss (but being unsure why) are punched into your ears, whilst the dual guitars scrape and contort through a muddy slide of clawing turmoil. It’s also excellent and a brilliantly constructed rapid-fire piece of fiery riot-punk. This is met with the sledgehammer drums and booming riffs of Pandemic, which belch and hack a hoarse rasp of detuned, Torche-lite noise, held together with shuddering and bruising intent. Absolute credit to the guitars on this track, which chime with trepidation and stalwart misery and expand The Royal They’s discordant and blemish-erupting sound even wider.

The pedal isn’t always slammed firmly to the floor though – there are moments of reflection, especially on the cool-sounding indie-jam of Veritas, which builds into a crunching hard rock number, with an ever-so Smashing Pumpkins-vibe to proceedings and showcases the delicate beauty of Michelle’s vocals as opposed to her earlier snarls of cutting rage. Needler follows a similar path, as though you’re being stalked by the taunt guitar lines, the “I want you to know…” vocal croons and the churning, discordant riffs which lurch, belch and batter the airwaves, only to suddenly revert back to that eerie, menacing tone. Don’t be fooled by the sing-song voice Michelle has on the scything Say Less – while it might all sound all rainbows and smiles in the delivery, the noisy, ramshackle Be Your Own Pet-riffs and teeth-rattling percussion are devilishly corrupting.

It’s when we reach the end of the album everything starts to crackle with three chords and permanent joy. I cannot get out of my head how much Weekender sounds like a 90’s TV show theme. There’s something so “sunshine happy good times!” about the melody on this. “Yeah, I’m where I wanna be right now/Yeah, there’s nothing else to figure out” states Michelle, her lyrics bouncing brilliantly on this pogo-tastic pop-rock banger of an album closer, which absolutely shreds with infectious and confident zest and ultimate enthusiasm – superb.

More people need to hear this band. The frothing rage and high-five fun times in The Royal They is utterly captivating right from the word go. Foreign Being is a jagged, snarling, heckling, vitriolic blast of cathartic, boiling and positive punk. Join their racket now, you need this in your life and your ears.

Grab a slice of Foreign Being by The Royal They from King Pizza Records here or download directly from their bandcamp. Treat yourself.

 

Top tracks: Sludgefucker, Needler, Gullethead, Weekender

Links

The Royal They
King Pizza Records

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Lizard Hips

Junior Vice President of Keep It Fast. In other news: I work in social media, talk about dinosaurs, run a book club and have amazing facial hair. I am also a male man who is still not dead.

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Carrie Brownstein says Sleater-Kinney’s next album should arrive “around early next year”


Sleater-Kinney have begun recording the follow-up to their 2015 reunion album, No Cities to Love. In an interview with Stereogum, guitarist and vocalist Carrie Brownstein revealed that the trio recently returned to the studio and stated that if all goes to plan, their next full-length should arrive early next year.

“We went back in the studio at the end of 2017 up in Portland and we recorded five songs and we are going to continue in that way for a while,” Brownstein stated. She also explained the band’s new process is a major departure from the “classic band dynamics of getting together in a basement and writing” as a result of their busy schedules.

(Read: The 50 Albums That Shaped Punk Rock)

“We’ll write separately and then send each other ideas over email, and then we work on the songs kind of remotely and then we come together in the studio,” Brownstein elaborated. “I think changing the process has been really interesting, and challenging for us in a good way. Because it disallows any falling back on the usual ideas or settling into something that we feel like we’ve done before.”

Brownstein said the band plans to “carve out some time in February/March” as the next step, and if they “continue going as is that an album should be around early next year.”

Read the full interview here, where Brownstein discusses the final season of Portlandia, the adaptation of her memoir Hunger Makes Me a Modern Girl for a Hulu pilot, and working on Don’t Worry, He Won’t Get Far on Foot with Joaquin Phoenix.



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Titus Andronicus unveil new song “Above the Bodega (Local Business)” and video: Watch


In less than a month, Titus Andronicus will release its fifth studio album, A Productive Cough. The seven-track effort follows 2015’s expansive The Most Lamentable Tragedy and is said to showcase new territory for the New Jersey outfit. Rather than relying on their signature raucous punk anthems, Patrick Stickles & co. delve into more balladry.

(Read: The 10 Most Anticipated Punk Albums of 2018)

Initial single “Number One (In New York)” highlighted this newfound approach. The second offering, “Above The Bodega (Local Business)”, follows suit as it plays out as a mellow ’70s rocker a la The Rolling Stones. Check out “Above the Bodega” below via its official music video. Shot live during their album sessions at Marcata Recording studio in New Paltz, New York, it was helmed by “Number One” video director Ray Concepcion.

In a statement, Stickles explained the track’s connection to consumerism:

“All the songs on [A Productive Cough] deal with the realities of life, as I understand them, in my adopted hometown of New York City,” explains Stickles, “and one quality that does much to define New York City life is the access to 24-hour consumption. The first floor of the apartment building in which I live is occupied by a deli-grocery, to which I give my patronage several times a day. As a result, I have developed a particular understanding with the staff there which I have not so far heard articulated in song. Thusly, I took it upon myself to write the ‘ultimate’ song explicating the bodega clerk-patron relationship.

More and more, we are defined by the things which we consume, and those who facilitate that consumption may glimpse a more truthful view of ourselves than the carefully curated image we share with our loved ones. No one knows the depths of my vice better than they who oversee the transactions which make it possible — in this way, the deli clerk knows me better than my own mother.”

A Productive Cough arrives March 2nd via Merge. In support, Stickles will embark on an intimate, two-person tour beginning later that month.



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The Gaslight Anthem to reunite for The ’59 Sound 10th anniversary tour


New Jersey punk rock outfit The Gaslight Anthem have been on hiatus since the summer of 2015. Later this year, however, they’ll return to the stage for a tour celebrating the 10th anniversary of their breakout album, The ’59 Sound.

The 10-date trek will see the band run through the 2008 record in full, so expect performances of standout tracks like “Old White Lincoln”, “Great Expectations”, and “The ’59 Sound”. Only four of the concerts are set for North America, including a previously announced appearance at New York’s Governors Ball Music Festival; Chicago, Toronto, and Washington, DC are the other cities getting a shot at reliving The ’59 Sound. Further shows are scheduled in the UK and Europe.

A ticket pre-sale begins on January 30th via TGA’s website. Fans can use the password “59SOUND” to snag the early tickets, or wait until the general on-sale opens on February 2nd. Find the complete tour itinerary below.

The Gaslight Anthem 201`8 Tour Dates:
05/27 – Washington, DC @ 9:30 Club *
06/02 – New York, NY @ Governors Ball Music Festival
07/20 – London UK @ Eventim Apollo #
07/23 – Dublin, IR @ Vicar Street #
07/24 – Glasgow, UK @ Barrowland #
07/25 – Manchester, UK @ Apollo #
07/27 – Tilburg, NL @ O13 #
07/28 – Cologne, DE @ Palladium #
08/10 – Toronto, ON @ Rebel ^
08/11 – Chicago, IL @ Rivera Theatre &

* = w/ Matt Mays and Tim Barry
# = w/ The Flatliners and Matthew Ryan
^ = w/ Job Sib
& = w/ Matt Mays and Joe Sib

The anniversary tour comes on the heels of frontman Brian Fallon’s own tour supporting his forthcoming sophomore solo effort, Sleepwalkers. You can find those dates here.

Revisit the title track to The ’59 Sound below.



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