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SDH Premiere Romantic Synth-Wave in “The Scent”

Andrea P. Latorre and Sergi Algiz, known for being members post-punk band Wind Atlas, have also been making waves with their more synth driven project SDH (Semiotics Department Of Heteronyms), which released its debut EP/single Tell Them this past March.

Heralding the upcoming release of SDH’s self titled debut LP, the duo have now released “The Scent”, a mesmerizing new track that to our ears captures the dissociation that occurs along with an intense emotional memory.

In the song, Andrea’s vocals, notably reminiscent of the late Dolores O’Riordan, have a distinctly Spanish feel that is carried along with a synth melody that would be at home on the soundtrack to a film by a Danish filmmaker—that stars Ryan Gosling.

Semiotics Department Of Heteronyms is out May 25th

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Italian Occult Band Father Murphy Announce Their Final Album –

Italian occult band Father Murphy is coming to an end—and thus has composed its requiem. With the newly announced final album Rising. A Requiem for Father Murphy, the band, which released its self titled debut back in 2014, will be shuffling off this mortal coil—with live dates scheduled in lieu of a wake.

Rising is due out this spring, three weeks after Easter, along with a scheduled tour which includes a series of dates with ex-Swans chanteuse Jarboe.

Read this thoughtful Eulogy from Tristan Bath:

“Across the Italian occult duo’s 2015 ‘Trilogy of the Cross’ (the Calvary cassingle, Croce LP, and Lamentations EP) Father Murphy’s sound reached down into grave new depths, more inspired than ever by music from their Catholic heritage. They’ve long been integrating a wider variety of field recordings, empty space, drones, and sonic processes alongside their core elements of pounding percussion, ecclesiastical organs, gnarled guitars, and ritualistic chanting. Again working with longtime mixer/masterer Greg Saunier (Deerhoof), Rising takes the group’s music into new territory. The format of a requiem mass for the dead—in this case for the late Father Murphy himself—brings with it all manner of traditional structural codes, musical reprises, and lyrical rhyming schemes. During the recording process, these sorts of limitations represented something totally new for the project’s core members: Freddie Murphy and Chiara Lee.

“For the very first time we were not at liberty to do everything we wanted,” they explain. “We wanted to stick to the format but also to make it personal.” Father Murphy solved the challenge of integrating their clanging occult sounds into traditional requiem formats via various inventive ways. The text of ‘Libera Me’, for example—sung at the final moment of burial in a requiem mass since the 19th century—is replaced with a gut wrenching field recording of maggot larvae (recordings are contributed by composer Luca Garino throughout the record). “For us it’s really the triumphant sound of death. something that brings you back to the earth through the most natural process.”

Certain moments see the music adhere far more closely to requia traditions, including the grander sounds of timpani or trombone, and following the metres and rhyme schemes borrowed from traditional texts. The words themselves have all been rewritten for Father Murphy’s requiem however, disengaging from their standardized religious message. The lyrics across Rising are far longer and more complex than the shorter chants and verse that made up previous albums, while the variety and sheer detail of sounds used by the duo has never before been wider or more daring. The album is mixed and mastered by longtime collaborator Greg Saunier (Deerhoof), who follows suite and touches up the duo’s album with stronger hands than ever. “Through the years he went more and more extreme in “filtering” our filters,” say Father Murphy. In addition to Saunier’s input and Luca Garino’s field recordings, additional vocals appear courtesy of Maria Mallol (Lame) and ARIADNE.

Even in its final hour, Father Murphy stick to their core working philosophy of sonic exploration; of never resting on what they’ve already accomplished, and always aiming for new fringes. With Rising: A Requiem for Father Murphy, the project reaches its zenith.

“It’s from the high of the cross that Father Murphy accepts his death,” explain Freddie Murphy and Chiara Lee. “Death as a confirmation of his life.”

Photo by Carlotta Del Giudice

Rising. A Requiem for Father Murphy is set for release on Avant! Records and Ramp Local on April 20th

Pre-Order Here

Tour Dates w/ Jarboe, Tomaga, and Mesange

  • April 11th – Gent, BE @ Kinky Star
  • April 12th – Hamburg, DE @ Gomokry
  • April 13th – Berlin, DE @ Arkaoda +
  • April 14h – Poznan, PL @ Pawilon Nowa Gazownia
  • April 15th – Gdansk, PL @ Teatr na Plazy
  • April 17th – Bratislava, SK @ Fuga*
  • April 18th – Prague, CZ  @ Potrva *
  • April 19th – Leipzig, DE @ Doom Over Leipzig Festival *
  • April 20th – Tilburg, NL @ Roadburn Festival *
  • April 21st – Rouen, FR @ Le Kalif *
  • April 22nd – Lille, FR @ La Malterie *
  • April 24th – Sofia, BG @ Bulgarian National Radio’s Concert Hall *
  • April 25th – Bucharest, RO @ Club Control  *
  • April 26th – Athens, GR @Temple
  • May 11th – Roma, IT @ ISR
  • May 16th -Liverpool, UK @ 81 Renshaw Street #
  • May 17th – Manchester, UK @ Eagle Inn #
  • May 18th – Bristol, UK @ St. John’s Crypt #
  • May 19th – Cardiff, UK @ The Moon #
  • May 20th – Plymouth, UK @ Aslomga #
  • May 22nd – Glasgow, UK @ Nice N’ Sleazy
  • May 23rd – Todmorden, UK @ Golden Lion
  • May 25th – London, UK @ Raw Power Festival

+ = w/Tomaga
* = w/Jarboe
# = w/Mesange

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Qual shares his video for the growling EBM banger “How Many Graves?”

How Many Deaths Must We Dance Until We Go Home…

William Maybelline is building up the tension before the release of his second solo LP under the guise of Qual.

Following the recent premiere of the album’s gloomy post-industrial and power electronics opening track Black Crown,  Maybelline has shared another cut of eight from his upcoming sophomore solo release The Ultimate Climaxthis time the caterwauling EBM infused cavort that is How Many Graves?

Watch below glitched out statues careening along to catchy beats in the sinister visuals shot and edited by Maybelline himself.

The Ultimate Climax is set for release on February 28th 2018. Physical copies are limited to 500 units each (LP/CD).

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*Featured Photo by Maru

h/t to The 405

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Qual announces ‘The Ultimate Climax’—listen to the album’s opener ‘Black Crown’

William Maybelline returns with a new full length album from his solo project Qual.

Following last year’s Cupio Dissolvi EP, William has taking his sulphurous formula an evolved it into The Ultimate Climaxeight tracks which skew traditional goth standards to new and bizarre heights.

Listen to the album’s opener brooding industrial opening Black Crown, which is darker sonic exploration for Maybelline resembling an almost power electronics assault.

The Ultimate Climax is set for release on Vinyl, CD and digital.

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Sally Dige curates stylized daydreams in her video for ‘This Life’

For her most deeply personal, and objectively most sincere work of 2017, Danish Canadian singer/songwriter, and multi talented artist Sally Dige has unveiled her music video for the track This Life, featured on her second full length LP Holding On.

This Life is a continuation of the spellbinding and stylized Super 8 camera production of lush and grainy coloured and black and white imagery prevalent in Sally Dige’s work—and watching the video is like peering into an audio-visual scrapbook of  her subconscious dreamscapes, lost in a more intimate time before the digital age.

Photo by Jennifer Latour

Golden light that touches my eyes 
And the sun that warms my bones 
There’s a comfort in this soothing air 
With a hope I’ve longed to know 

Holding On is our pick as Best New-Wave album of 2017

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